Wilson said a fine thing in his Graun piece, that what MacPhee does so well even among the setpiece sorcerors is somehow work space in these ridiculously congested situations. Those other coaches (Nicolas Joder et al) are all about those rotating blocks and cutoffs and impedings and all that - MacPhee's doing something different, manipulating the oppo to make room for a shot. It's remarkable work really, and you love to see it.
