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Author Topic: The Rubaiyat of Omar Khayyam  (Read 14598 times)

Offline Rip Van We Go Again

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Re: The Rubaiyat of Omar Khayyam
« Reply #30 on: August 11, 2010, 06:40:55 PM »
Uncultured oafs.
This from the man who eats at Nando's

Offline adrenachrome

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Re: The Rubaiyat of Omar Khayyam
« Reply #31 on: August 12, 2010, 11:57:29 AM »
From the lofty heights of poetry to the humdrum of folk rock:

I dreamed I stood like this before
And I'm sure the words that I heard then
Were much the same
It's just an old Greek tragedy they're acting here
Held over by popular acclaim

Offline Villa'Zawg

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Re: The Rubaiyat of Omar Khayyam
« Reply #32 on: August 12, 2010, 03:08:04 PM »
The boy stood on the burning deck
Whence all but he had fled;
The flame that lit the battle's wreck
Shone round him o'er the dead.

    Yet beautiful and bright he stood,
    As born to rule the storm;
    A creature of heroic blood,
    A proud, though childlike form.

The flames roll'd on...he would not go
Without his father's word;
That father, faint in death below,
His voice no longer heard.

    He call'd aloud..."Say, father, say
    If yet my task is done!"
    He knew not that the chieftain lay
    Unconscious of his son.

"Speak, father!" once again he cried
"If I may yet be gone!"
And but the booming shots replied,
And fast the flames roll'd on.

    Upon his brow he felt their breath,
    And in his waving hair,
    And looked from that lone post of death,
    In still yet brave despair;

And shouted but one more aloud,
"My father, must I stay?"
While o'er him fast, through sail and shroud
The wreathing fires made way,

    They wrapt the ship in splendour wild,
    They caught the flag on high,
    And stream'd above the gallant child,
    Like banners in the sky.

Then just before the season starts he fucked off.

Offline Rip Van We Go Again

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Re: The Rubaiyat of Omar Khayyam
« Reply #33 on: August 12, 2010, 05:26:17 PM »
Here lies the body of Mary Box
She gave 10,000 men the pox
Soldiers and sailors and men of honour
would fight like fiends to climb upon her
Though now she's dead she's not forgotten
They dig her up and stuff her rotten

Offline adrenachrome

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Re: The Rubaiyat of Omar Khayyam
« Reply #34 on: August 22, 2010, 06:42:18 PM »
I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.

Offline peter w

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Re: The Rubaiyat of Omar Khayyam
« Reply #35 on: August 22, 2010, 11:40:15 PM »
From Omar Khayyam to Eastenders....that's the problem with modern society, we all retreat to the lowest common denominator...bloody Eastenders.

    In Xanadu did Kubla Khan
    A stately pleasure-dome decree:
    Where Alph, the sacred river, ran
    Through caverns measureless to man
    Down to a sunless sea.
    So twice five miles of fertile ground
    With walls and towers were girdled round:
    And there were gardens bright with sinuous rills,
    Where blossomed many an incense-bearing tree;
    And here were forests ancient as the hills,
    Enfolding sunny spots of greenery.

    But oh! that deep romantic chasm which slanted
    Down the green hill athwart a cedarn cover!
    A savage place! as holy and enchanted
    As e'er beneath a waning moon was haunted
    By woman wailing for her demon-lover!
    And from this chasm, with ceaseless turmoil seething,
    As if this earth in fast thick pants were breathing,
    A mighty fountain momently was forced:
    Amid whose swift half-intermitted burst
    Huge fragments vaulted like rebounding hail,
    Or chaffy grain beneath the thresher's flail:
    And 'mid these dancing rocks at once and ever
    It flung up momently the sacred river.
    Five miles meandering with a mazy motion
    Through wood and dale the sacred river ran,
    Then reached the caverns measureless to man,
    And sank in tumult to a lifeless ocean:
    And 'mid this tumult Kubla heard from far
    Ancestral voices prophesying war!
    The shadow of the dome of pleasure
    Floated midway on the waves;
    Where was heard the mingled measure
    From the fountain and the caves.
    It was a miracle of rare device,
    A sunny pleasure-dome with caves of ice!

    A damsel with a dulcimer
    In a vision once I saw:
    It was an Abyssinian maid,
    And on her dulcimer she played,
    Singing of Mount Abora.
    Could I revive within me
    Her symphony and song,
    To such a deep delight 'twould win me,
    That with music loud and long,
    I would build that dome in air,
    That sunny dome! those caves of ice!
    And all who heard should see them there,
    And all should cry, Beware! Beware!
    His flashing eyes, his floating hair!
    Weave a circle round him thrice,
    And close your eyes with holy dread,
    For he on honey-dew hath fed,
    And drunk the milk of Paradise.

Kubla Khan, Scoleridge taylor.  And you won't get the like of that on East-bloody-enders.

Isn't that Frankie Goes To hollywood and welcome to the pleasure Dome?

Offline adrenachrome

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Re: The Rubaiyat of Omar Khayyam
« Reply #36 on: August 26, 2010, 09:40:45 PM »
I set out on Monday
The night was cold and vast
My brother slept
I left quite quietly
My father raged and raged
My mother wept

My life was like a river
All sucked into the ground
And then the hammer came down
Lord, the hammer came down

Many miles did I roam
Through the ice and through the snow
My horse died on the seventh day
I stumbled into a city
Where the people tried to kill me
And I ran in shame

Then I came upon a river
And I laid my saddle down
And then the hammer came down
Lord, the hammer came down

It knocked me to the ground
And I said, "Please, please
Take me back to my home ground"
Lord, the hammer came down

Now I've been made weak by visions
For many visions did I see
All through the night
On the seventh hour an angel came
With many snakes in all his hands
And I fled in fright

I pushed off into the river
And the waters came around
And then the hammer came down
Lord, the hammer came down

It did not make a sound
And I said, "Please, please
Take me back to my home ground"
Lord, the hammer came down

I was stuffed into the river
And the waters spelled around
And then the hammer came down
Lord, the hammer came down

It did not make a sound
And I said, "Please, please
Take me back to my home ground"
Lord, the hammer came down

It drove me around the ground
And I said, "Please, please
Take me back to my home town"
Lord, the hammer came down

And knocked him to the ground
And I got down on my knees
And I said, "Please, please
Take me back to my home town"
Lord, the hammer came down

It did not make a sound
And I said, "Please, please
Take me back to my home town"
Lord, the hammer came down

Offline adrenachrome

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Re: The Rubaiyat of Omar Khayyam
« Reply #37 on: September 01, 2010, 01:09:55 AM »
                I
           

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us -- if at all -- not as lost
Violent souls, but only
As the hollow men
The stuffed men.

           
                II
           

Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer --

Not that final meeting
In the twilight kingdom

           
                III
           

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

           
                IV
           

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.

           
                V
           

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow

                    For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow


                    Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow

                    For Thine is the Kingdom


For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

Offline damon loves JT

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Re: The Rubaiyat of Omar Khayyam
« Reply #38 on: September 01, 2010, 09:51:15 AM »
Mon triste coeur bave à la poupe,
Mon coeur couvert de caporal :
Ils y lancent des jets de soupe
Mon triste coeur bave à la poupe :
Sous les quolibets de la troupe
Qui pousse un rire général,
Mon triste coeur bave à la poupe,
Mon coeur couvert de caporal.

Ithyphalliques et pioupiesques
Leurs quolibets l'ont dépravé.
Au gouvernail, on voit des fresques
Ithyphalliques et pioupiesques.
O flots abracadabrantesques
Prenez mon coeur, qu'il soit lavé.
Ithyphalliques et pioupiesques
Leurs quolibets l'ont dépravé !

Quand ils auront tari leurs chiques
Comment agir, ô coeur volé ?
Ce seront des hoquets bachiques
Quand ils auront tari leurs chiques
J'aurai des sursauts stomachiques
Moi, si mon coeur est ravalé:
Quand ils auront tari leurs chiques,
Comment agir, ô coeur volé ?

Offline adrenachrome

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Re: The Rubaiyat of Omar Khayyam
« Reply #39 on: September 01, 2010, 11:31:10 AM »
Je bois
Systématiquement
Pour oublier les amis de ma femme
Je bois
Systématiquement
Pour oublier tous mes emmerdements

Je bois
N'importe quel jaja
Pourvu qu'il fasse ses douze degrés cinque
Je bois
La pire des vinasses
C'est dégueulasse, mais ça fait passer l'temps

La vie est-elle tell'ment marrante
La vie est-elle tell'ment vivante
Je pose ces deux questions
La vie vaut-elle d'être vécue
L'amour vaut-il qu'on soit cocu
Je pose ces deux questions
Auxquelles personne ne répond... et

Je bois
Systématiquement
Pour oublier le prochain jour du terme
Je bois
Systématiquement
Pour oublier que je n'ai plus vingt ans

Je bois
Dès que j'ai des loisirs
Pour être saoul, pour ne plus voir ma gueule
Je bois
Sans y prendre plaisir
Pour pas me dire qu'il faudrait en finir...

Offline Villa'Zawg

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Re: The Rubaiyat of Omar Khayyam
« Reply #40 on: September 02, 2010, 12:53:04 AM »
Extracts from the Roman des Franceis by Andrew de Coutances circa 1190:

Arthur besieged Paris, doubt it not at all!
He had a large force of
Well trained and equipped knights,
So he fiercely attacked the city.

The English went on the attack,
And the French defended like cowards,
They gave up at the first onset
And shamefully ran away.

It was from this flight [partir] that
Paris got its name, there is no concealing it,
Originally the place was called Thermes
And was indeed very famous.

Arthur took homage from the French
And he established as a release-payment
A four-pence charge for being a peasant
To be paid as their poll tax.

People remind them often enough about
This source of shame, but they may as well not have bothered;
For they take neither offence or account,
As they know no shame.

Such a Frenchman as does value virtue and honour
Will not like it of course,
But so far as he is the more ashamed
He will boast twice as much

So know that, wherever you go,
Believe a Frenchman not at all;
Seek indeed and you shall find
But you find no prowess if there’s none to be had.

A man who dines with the French
Should grab whatever he may
As either he will end up with nuts
Or will just carry off the shallots

A Frenchman would need to own the world
To live as well as he would like.
Because that is something that cannot happen
The French know to hold what provisions they have.

That’s the way they are in their own land
But when they’re abroad they’re even more greedy
And shamefully gorge themselves at every table
Whenever they get near one.

And whenever hosts have them in their homes
They realise the French are such men
So greedy and so avaricious
That he ought to drive them off with kicks.


Offline joe_c

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Re: The Rubaiyat of Omar Khayyam
« Reply #41 on: September 02, 2010, 01:36:00 AM »
Ὀδύσσεια

ἄνδρα μοι ἔννεπε, μοῦσα, πολύτροπον, ὃς μάλα πολλὰ
πλάγχθη, ἐπεὶ Τροίης ἱερὸν πτολίεθρον ἔπερσεν:
πολλῶν δ᾽ ἀνθρώπων ἴδεν ἄστεα καὶ νόον ἔγνω,
πολλὰ δ᾽ ὅ γ᾽ ἐν πόντῳ πάθεν ἄλγεα ὃν κατὰ θυμόν,
ἀρνύμενος ἥν τε ψυχὴν καὶ νόστον ἑταίρων.
ἀλλ᾽ οὐδ᾽ ὣς ἑτάρους ἐρρύσατο, ἱέμενός περ:
αὐτῶν γὰρ σφετέρῃσιν ἀτασθαλίῃσιν ὄλοντο,
νήπιοι, οἳ κατὰ βοῦς Ὑπερίονος Ἠελίοιο
ἤσθιον: αὐτὰρ ὁ τοῖσιν ἀφείλετο νόστιμον ἦμαρ.
τῶν ἁμόθεν γε, θεά, θύγατερ Διός, εἰπὲ καὶ ἡμῖν.

ἔνθ᾽ ἄλλοι μὲν πάντες, ὅσοι φύγον αἰπὺν ὄλεθρον,
οἴκοι ἔσαν, πόλεμόν τε πεφευγότες ἠδὲ θάλασσαν:
τὸν δ᾽ οἶον νόστου κεχρημένον ἠδὲ γυναικὸς
νύμφη πότνι᾽ ἔρυκε Καλυψὼ δῖα θεάων
ἐν σπέσσι γλαφυροῖσι, λιλαιομένη πόσιν εἶναι.
ἀλλ᾽ ὅτε δὴ ἔτος ἦλθε περιπλομένων ἐνιαυτῶν,
τῷ οἱ ἐπεκλώσαντο θεοὶ οἶκόνδε νέεσθαι
εἰς Ἰθάκην, οὐδ᾽ ἔνθα πεφυγμένος ἦεν ἀέθλων
καὶ μετὰ οἷσι φίλοισι. θεοὶ δ᾽ ἐλέαιρον ἅπαντες
νόσφι Ποσειδάωνος: ὁ δ᾽ ἀσπερχὲς μενέαινεν
ἀντιθέῳ Ὀδυσῆι πάρος ἣν γαῖαν ἱκέσθαι.
« Last Edit: September 02, 2010, 01:37:57 AM by joe_c »

Offline Scott Nielsen

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Re: The Rubaiyat of Omar Khayyam
« Reply #42 on: September 02, 2010, 04:02:29 AM »
The auguries, the inagurations
Proceed at vast expense, banquet after banquet.
A fire of the mind is invoked, and this is what
We must live with as the century raises itself
On crippled limbs to proclaim victory.
Neither Alexander nor Trajan combined
Such arrogance with ignorance
But, in the end, what difference does it make?

Persepolis burned, and Fallujah is emptied.

 


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